1
00:00:55,974 --> 00:00:57,892
<i>Civic TV...</i>

2
00:00:57,976 --> 00:01:00,061
<i>the one you take to bed with you.</i>

3
00:01:00,145 --> 00:01:03,940
Max, it's that time again:

4
00:01:04,023 --> 00:01:09,612
time to slowly, painfully
ease yourself back into consciousness.

5
00:01:09,696 --> 00:01:11,740
No, I'm not a dream...

6
00:01:11,823 --> 00:01:14,200
although I've been told
I'm a vision of loveliness.

7
00:01:14,284 --> 00:01:16,244
<i>Who told you that?</i>

8
00:01:16,327 --> 00:01:20,081
I'm nothing less than
your faithful Girl Friday, Bridey James...

9
00:01:20,165 --> 00:01:24,669
here with your wake-up call of today,
which is Wednesday the 23rd.

10
00:01:24,753 --> 00:01:26,671
You got that?

11
00:01:26,755 --> 00:01:29,966
Wednesday the 23rd.

12
00:01:31,092 --> 00:01:32,969
And I have a message.

13
00:01:33,052 --> 00:01:35,764
Remember your meeting this morning at 6:30...

14
00:01:35,847 --> 00:01:39,142
with Shinji Kuraki of Hiroshima Video.

15
00:01:39,225 --> 00:01:40,935
This meeting is to take place...

16
00:01:41,019 --> 00:01:45,148
at the Classic Hotel, suite 17.

17
00:01:45,231 --> 00:01:48,401
And needless to say,
it's your first of the day.

18
00:01:48,485 --> 00:01:51,279
Don't you know anyone
who works 9:00 to 5:00?

19
00:01:52,989 --> 00:01:54,741
Over and out, Commander.

20
00:01:56,534 --> 00:02:00,038
Civic TV, the one you take
to bed with you.

21
00:03:18,449 --> 00:03:21,703
<i>- Cindy, open the door, will ya?
- Go away.</i>

22
00:03:21,786 --> 00:03:23,705
<i>Come on. You know I love ya.</i>

23
00:03:23,788 --> 00:03:26,040
<i>- Get outta here!</i>
- Will you open the door?

24
00:03:26,124 --> 00:03:28,042
For fuck's sake, open the door!

25
00:03:28,126 --> 00:03:32,380
<i>I want you out of this place!</i>

26
00:03:32,463 --> 00:03:36,050
For fuck's sake, open the door!

27
00:03:38,845 --> 00:03:41,389
<i>You just gotta open
the fucking door!</i>

28
00:03:41,472 --> 00:03:44,559
Well, I looked over the stills.

29
00:03:44,642 --> 00:03:46,561
I am interested a little bit.

30
00:03:46,644 --> 00:03:48,605
- How many shows you got?
- Thirteen.

31
00:03:48,688 --> 00:03:51,900
With a possibility of another six
if the sales go well.

32
00:03:51,983 --> 00:03:53,902
- You got cassettes?
- Of course.

33
00:04:02,952 --> 00:04:05,955
No, hold it.
Uh, show me the last one.

34
00:04:06,039 --> 00:04:08,249
Number 13.

35
00:04:08,333 --> 00:04:11,961
But you won't understand anything.
Everything is set up in the first two.

36
00:04:12,045 --> 00:04:15,590
My audience ain't gonna see
the first two shows. Show me the last one.

37
00:05:17,235 --> 00:05:19,654
What do you think?

38
00:05:19,737 --> 00:05:24,158
Can we get away with it?
Do we wanna get away with it?

39
00:05:24,242 --> 00:05:26,786
I think Oriental sex is a natural.

40
00:05:26,869 --> 00:05:29,872
I think it'll get us an audience
we've never had before.

41
00:05:30,999 --> 00:05:34,043
I don't like it.
It's not tacky enough.

42
00:05:34,127 --> 00:05:37,380
- Not tacky enough for what?
- Tacky enough to turn me on.

43
00:05:38,381 --> 00:05:40,299
Too much class. Bad for sex.

44
00:05:41,551 --> 00:05:43,678
Maybe.

45
00:05:43,761 --> 00:05:46,347
I don't know.

46
00:05:46,431 --> 00:05:48,349
It's soft.

47
00:05:48,433 --> 00:05:50,685
Something too...

48
00:05:50,768 --> 00:05:52,895
soft about it.

49
00:05:54,897 --> 00:05:58,651
I'm lookin' for something that'll
break through, you know? Something...

50
00:05:58,735 --> 00:06:01,070
tough.

51
00:06:47,867 --> 00:06:50,411
Hey, Harlan, uh — Huh?

52
00:06:50,495 --> 00:06:53,206
Oh. Okay.

53
00:06:53,289 --> 00:06:55,416
Here we go.

54
00:06:57,502 --> 00:07:00,588
Now, it'll come through on that.

55
00:07:00,671 --> 00:07:05,134
Now, we only got about 53 seconds,
so keep your eyes open.

56
00:07:05,218 --> 00:07:10,139
They've got an unscrambler scrambler,
if you know what I mean.

57
00:07:10,223 --> 00:07:12,058
It sensed that we were unscrambling...

58
00:07:12,141 --> 00:07:16,270
<i>and, uh, automatically
changed its code on us.</i>

59
00:07:16,354 --> 00:07:18,272
What satellite is it coming from?

60
00:07:18,356 --> 00:07:20,274
<i>- Snooker, I think.</i>
- Country of origin?

61
00:07:20,358 --> 00:07:22,276
Uh, let me see. Uh —

62
00:07:22,360 --> 00:07:25,947
<i>Assuming 53 seconds
represents the period of delay...</i>

63
00:07:26,030 --> 00:07:28,783
I'd say somewhere, uh...

64
00:07:28,866 --> 00:07:30,910
in Malaysia?

65
00:07:31,994 --> 00:07:35,456
Okay, here we go.

66
00:07:35,540 --> 00:07:37,500
<i>This is it.</i>

67
00:07:51,347 --> 00:07:54,934
What is that wall behind her?
What is that, clay?

68
00:07:55,017 --> 00:07:57,520
<i>Yeah. Wet clay.</i>

69
00:07:57,603 --> 00:07:59,564
I think it's electrified.

70
00:08:24,589 --> 00:08:26,632
That's it?

71
00:08:26,716 --> 00:08:29,010
That's it.

72
00:08:29,093 --> 00:08:32,388
Grotesque, as promised.

73
00:08:32,471 --> 00:08:34,849
Okay. Can you hang a search on it
next time it —

74
00:08:34,932 --> 00:08:37,185
Already workin' on it.

75
00:08:37,268 --> 00:08:40,688
I was pretty insulted when it just
shrugged us off in less than a minute.

76
00:08:40,771 --> 00:08:44,108
Well, <i>patrón,</i> interested?

77
00:08:45,443 --> 00:08:48,779
Yeah. Harlan, can you do something
about these labels?

78
00:08:48,863 --> 00:08:53,826
I mean, uh, this is supposed to be
a clandestine operation, you know?

79
00:08:53,910 --> 00:08:55,870
<i>Sí, patrón.</i>

80
00:09:05,254 --> 00:09:07,632
<i>You always find yourself
getting nervous...</i>

81
00:09:07,715 --> 00:09:10,384
<i>even if you've been doing it
all your life, don't you think?</i>

82
00:09:10,468 --> 00:09:12,386
<i>Oh, yeah. Oh, for sure.</i>

83
00:09:12,470 --> 00:09:15,806
<i>- Course, that's part of the excitement of it.</i>
- Mm-hmm.

84
00:09:18,142 --> 00:09:20,144
Want a smoke?

85
00:09:22,146 --> 00:09:23,814
No, thanks.

86
00:09:27,526 --> 00:09:30,863
- Max, just relax.
- Okay.

87
00:09:30,947 --> 00:09:35,243
And now here it is: <i>The Rena King Show.</i>

88
00:09:35,326 --> 00:09:37,286
<i>And this afternoon,
Rena's guests are Max Renn...</i>

89
00:09:37,370 --> 00:09:42,041
<i>controversial president of Channel 83,
radio personality Nicki Brand...</i>

90
00:09:42,124 --> 00:09:44,669
<i>and media prophet
Professor Brian O'Blivion.</i>

91
00:09:44,752 --> 00:09:47,129
<i>Take it away, Rena.</i>

92
00:09:47,213 --> 00:09:49,507
Max Renn...

93
00:09:49,590 --> 00:09:51,759
your television station
offers its viewers...

94
00:09:51,842 --> 00:09:54,053
everything
from soft-core pornography...

95
00:09:54,136 --> 00:09:56,138
to hard-core violence.

96
00:09:56,222 --> 00:09:59,267
- Why?
- Well, it's a matter of economics, Rena.

97
00:09:59,350 --> 00:10:01,269
We're, uh, small.

98
00:10:01,352 --> 00:10:05,189
In order to survive, we have to give people
something they can't get anywhere else...

99
00:10:05,273 --> 00:10:07,441
and, uh — and we do that.

100
00:10:08,442 --> 00:10:10,611
But don't you feel
such shows contribute...

101
00:10:10,695 --> 00:10:14,448
to a social climate of violence
and sexual malaise?

102
00:10:14,532 --> 00:10:17,451
<i>- And do you care?</i>
- Certainly, I care.

103
00:10:17,535 --> 00:10:20,746
I care enough, in fact,
to give my viewers a —

104
00:10:20,830 --> 00:10:24,375
a harmless outlet for their fantasies
and their frustrations.

105
00:10:24,458 --> 00:10:28,296
<i>As far as I'm concerned,
that's a socially positive act.</i>

106
00:10:28,379 --> 00:10:32,133
What about it, Nicki?
Is it socially positive?

107
00:10:32,216 --> 00:10:34,719
Well, I think we live
in overstimulated times.

108
00:10:34,802 --> 00:10:36,762
We crave stimulation
for its own sake.

109
00:10:36,846 --> 00:10:39,140
<i>We gorge ourselves on it.</i>

110
00:10:39,223 --> 00:10:43,853
<i>We always want more, whether
it's tactile, emotional or sexual...</i>

111
00:10:43,936 --> 00:10:45,438
and I think that's bad.

112
00:10:45,521 --> 00:10:48,482
Then why did you wear that dress?

113
00:10:48,566 --> 00:10:52,153
- Sorry?
- That dress.

114
00:10:52,236 --> 00:10:56,449
<i>It's very stimulating, and — and it's red.</i>

115
00:10:57,950 --> 00:11:00,661
You know what Freud would
have said about that dress.

116
00:11:00,745 --> 00:11:03,873
And he would've been right.
I admit it.

117
00:11:03,956 --> 00:11:06,834
I live in a highly excited
state of overstimulation.

118
00:11:08,336 --> 00:11:10,838
Listen, I'd really like to take you
out to dinner tonight.

119
00:11:11,839 --> 00:11:14,342
- Professor O'Blivion.
<i>- What do you think?</i>

120
00:11:14,425 --> 00:11:17,678
Do you think erotic TV shows
and violent TV shows...

121
00:11:17,762 --> 00:11:20,056
lead to desensitization...

122
00:11:20,139 --> 00:11:22,058
to dehumanization?

123
00:11:24,143 --> 00:11:29,190
The television screen has become
the retina of the mind's eye.

124
00:11:29,273 --> 00:11:32,026
Yes.

125
00:11:32,109 --> 00:11:35,112
<i>That's why I refuse
to appear on television...</i>

126
00:11:35,196 --> 00:11:37,615
<i>except on television.</i>

127
00:11:37,698 --> 00:11:40,368
<i>Of course, O'Blivion is not
the name I was born with.</i>

128
00:11:40,451 --> 00:11:42,995
That's my television name.

129
00:11:43,079 --> 00:11:46,540
Soon all of us
will have special names...

130
00:11:46,624 --> 00:11:51,045
names designed to cause
the cathode ray tube to resonate.

131
00:11:51,128 --> 00:11:53,756
- Yes.
<i>- Yes, I am. Very interested.</i>

132
00:11:53,839 --> 00:11:58,052
Nicki, is Max Renn
a menace to society?

133
00:11:58,135 --> 00:12:00,554
<i>I'm not sure.</i>

134
00:12:00,638 --> 00:12:03,265
He's certainly a menace to me.

135
00:12:08,729 --> 00:12:11,023
<i>When does the plot,
uh, start to unravel here?</i>

136
00:12:11,107 --> 00:12:14,110
<i>I mean, who is this black guy?
Is he a political prisoner?</i>

137
00:12:15,486 --> 00:12:17,571
There's no plot.

138
00:12:17,655 --> 00:12:20,074
It just goes on like that for an hour.

139
00:12:20,157 --> 00:12:23,202
- Goes on like what?
- Like that.

140
00:12:23,285 --> 00:12:26,539
Torture, murder...

141
00:12:27,540 --> 00:12:29,458
mutilation.

142
00:12:29,542 --> 00:12:32,711
- We never leave that room?
- Nope.

143
00:12:32,795 --> 00:12:35,256
- It's a real sicko.
- Brilliant.

144
00:12:35,339 --> 00:12:37,259
- For perverts only.
- It's absolutely brilliant.

145
00:12:37,341 --> 00:12:40,261
I mean, look, there's almost
no production costs.

146
00:12:40,344 --> 00:12:43,264
You can't take your eyes off it.
It's incredibly realistic.

147
00:12:43,347 --> 00:12:45,266
Where do they get actors
who can do this?

148
00:12:45,349 --> 00:12:47,476
- Oh, help me. I think he wants it.
<i>- Come on.</i>

149
00:12:47,560 --> 00:12:50,271
It's worth checking out.

150
00:12:50,354 --> 00:12:52,606
Did you have any trouble
locking onto it this time?

151
00:12:52,690 --> 00:12:56,193
<i>Not after I realized
the Malaysia delay was a plant.</i>

152
00:12:57,236 --> 00:13:01,323
- It's not coming from Malaysia?
- You can't fool the Prince of Pirates for long.

153
00:13:01,407 --> 00:13:04,702
Har — Harlan,
where is it coming from?

154
00:13:05,911 --> 00:13:09,415
Pittsburgh.
That's in the U.S.A.

155
00:13:10,458 --> 00:13:12,376
Pittsburgh?

156
00:13:13,419 --> 00:13:16,297
Pittsburgh.

157
00:13:16,380 --> 00:13:19,133
Get professional help.

158
00:13:19,216 --> 00:13:21,802
<i>But it's not me. It's my sister.</i>

159
00:13:21,886 --> 00:13:25,055
It's not your sister.
It's you, lover.

160
00:13:25,139 --> 00:13:29,059
Can't you tell?
Isn't that why you called me?

161
00:13:29,143 --> 00:13:32,188
<i>You</i> want help.
<i>You</i> need help.

162
00:13:32,271 --> 00:13:36,484
<i>You're going insane. I can hear you
disintegrating while you talk to me.</i>

163
00:13:38,402 --> 00:13:42,323
I've got your number, haven't I?

164
00:13:42,406 --> 00:13:45,117
<i>I hate my sister.</i>

165
00:13:47,161 --> 00:13:50,414
<i>I don't want to.
It's ripping me up inside.</i>

166
00:13:50,498 --> 00:13:54,210
<i>But I do. I do.</i>

167
00:13:54,293 --> 00:13:56,378
Will you call our Distress Center?

168
00:13:56,462 --> 00:14:00,132
Will you call
the CRAM Distress Center?

169
00:14:00,216 --> 00:14:02,510
They'll tell you where
to get help, lover.

170
00:14:02,593 --> 00:14:05,513
And you need it.
You need it now.

171
00:14:05,596 --> 00:14:08,390
<i>I will. I will.
Oh, thank you, Nicki.</i>

172
00:14:11,602 --> 00:14:13,521
<i>We'll return to Nicki Brand...</i>

173
00:14:13,604 --> 00:14:16,524
<i>and the</i> Emotional Rescue <i>show
in just a moment.</i>

174
00:14:16,607 --> 00:14:20,694
<i>This is CRAM in Toronto,
and we've got the weather for you.</i>

175
00:14:23,280 --> 00:14:25,908
- Got any porno?
- You serious?

176
00:14:25,991 --> 00:14:28,619
<i>Yeah.
Gets me in the mood.</i>

177
00:14:32,665 --> 00:14:34,708
What's this? <i>"Videodrome."</i>

178
00:14:34,792 --> 00:14:37,002
<i>Torture, murder.</i>

179
00:14:37,086 --> 00:14:39,004
Sounds great.

180
00:14:39,088 --> 00:14:41,465
Ain't exactly sex.

181
00:14:42,508 --> 00:14:44,301
Says who?

182
00:14:56,188 --> 00:14:59,108
- God, I can't believe it.
- I'll turn it off.

183
00:14:59,191 --> 00:15:02,069
<i>No, no, no. It's okay.
I can take it.</i>

184
00:15:06,115 --> 00:15:08,409
Can you get it any clearer?

185
00:15:08,492 --> 00:15:11,245
It's a pirate tape.
They scramble it.

186
00:15:11,328 --> 00:15:14,373
I like it.

187
00:15:14,456 --> 00:15:18,002
<i>- Yeah?</i>
- Yeah, it turns me on.

188
00:15:20,337 --> 00:15:23,299
Take out your Swiss Army knife
and cut me here...

189
00:15:23,382 --> 00:15:25,301
just — just a little.

190
00:15:25,384 --> 00:15:27,720
Looks like somebody's
beat me to it.

191
00:15:34,685 --> 00:15:37,354
<i>I wonder how you get
to be a contestant on this show.</i>

192
00:15:38,355 --> 00:15:42,192
I don't know. Nobody ever
seems to come back next week.

193
00:15:42,276 --> 00:15:44,695
What did you say happened
to your shoulder?

194
00:15:45,696 --> 00:15:48,699
A friend.
I think he'd like <i>Videodrome.</i>

195
00:15:50,200 --> 00:15:53,454
- You let somebody cut you?
- Uh-huh.

196
00:15:53,537 --> 00:15:56,790
What do you think?

197
00:15:57,875 --> 00:16:00,461
Well, I-I don't know.

198
00:16:00,544 --> 00:16:03,714
You wanna try a few things?

199
00:16:39,958 --> 00:16:41,919
Oh.

200
00:16:47,257 --> 00:16:49,301
Oh.

201
00:19:07,397 --> 00:19:11,151
Max, thank God. Masha Borowczyk
has been in your office for an hour.

202
00:19:11,235 --> 00:19:13,153
- Masha.
- What were you doing last night?

203
00:19:13,237 --> 00:19:15,715
- Didn't you get my message?
- I don't think I'm ready for this.

204
00:19:15,739 --> 00:19:19,493
- Coffee. Cigarette. Office. Masha. Go.
- All right. Masha.

205
00:19:19,576 --> 00:19:22,830
She's hot to trot.

206
00:19:24,540 --> 00:19:26,834
<i>I call it...</i>

207
00:19:26,917 --> 00:19:29,586
Apollo and Dionysus.

208
00:19:33,757 --> 00:19:36,009
<i>Masha, does it ever get good?</i>

209
00:19:36,093 --> 00:19:39,012
It's all good.

210
00:19:39,096 --> 00:19:41,473
Darling...

211
00:19:41,557 --> 00:19:44,852
I am looking
for something a lot more...

212
00:19:44,935 --> 00:19:47,145
contemporary.

213
00:19:47,229 --> 00:19:51,400
I want something that's gonna show people
what's really goin' on under the sheets.

214
00:19:51,483 --> 00:19:54,695
This stuff is too — It's too naïve.

215
00:19:54,778 --> 00:19:56,905
It's too sweet, like you, darling.

216
00:20:03,912 --> 00:20:07,374
Well, it's your market.

217
00:20:10,377 --> 00:20:12,838
Do you know a show
called <i>Videodrome</i>?

218
00:20:12,921 --> 00:20:15,716
- Video-what?
- D-R-O-M-E.

219
00:20:15,799 --> 00:20:18,886
<i>Videodrome,</i>
like video circus, video arena.

220
00:20:18,969 --> 00:20:21,680
- You know it?
- No.

221
00:20:21,763 --> 00:20:23,682
It's just torture and murder.

222
00:20:23,765 --> 00:20:27,603
No plot, no characters.
Very, very realistic.

223
00:20:27,686 --> 00:20:30,606
I think it's what's next.

224
00:20:30,689 --> 00:20:32,608
Then God help us.

225
00:20:32,691 --> 00:20:35,903
Better on TV than on the street.

226
00:20:39,072 --> 00:20:41,074
<i>Arnold on line three.</i>

227
00:20:41,158 --> 00:20:43,452
You interested in, uh,
tracking it down for me?

228
00:20:43,535 --> 00:20:45,579
I'll see that you get
the agent's commission.

229
00:20:45,662 --> 00:20:49,207
I'm interested.
Let me try.

230
00:20:51,168 --> 00:20:53,587
Max...

231
00:20:53,670 --> 00:20:55,756
did you ever think...

232
00:20:55,839 --> 00:20:57,925
of producing your own show?

233
00:20:58,008 --> 00:21:00,052
<i>Right here?</i>

234
00:21:01,261 --> 00:21:03,263
I could be your agent...

235
00:21:03,347 --> 00:21:05,265
worldwide.

236
00:21:05,349 --> 00:21:08,810
I could sell subterranean
for you everywhere.

237
00:21:08,894 --> 00:21:12,147
- No, I don't have the temperament.
- But if you did...

238
00:21:13,649 --> 00:21:16,151
what kind of show would you do?

239
00:21:16,234 --> 00:21:19,988
I mean,
for the subterranean market.

240
00:21:20,072 --> 00:21:23,992
Would you do... <i>Videodrome</i>?

241
00:21:25,327 --> 00:21:27,287
<i>Max.</i>

242
00:21:27,371 --> 00:21:31,500
- Mm-hmm.
<i>- I'm goin' away tomorrow for two weeks...</i>

243
00:21:31,583 --> 00:21:33,710
<i>on assignment.</i>

244
00:21:34,711 --> 00:21:37,339
Guess where?

245
00:21:37,422 --> 00:21:39,633
L.A.

246
00:21:39,716 --> 00:21:43,011
- Pittsburgh.
<i>- Fabulous.</i>

247
00:21:43,095 --> 00:21:47,265
Don't stay in the sun too long.
I hear it's bad for the skin.

248
00:21:47,349 --> 00:21:50,352
Oh, come on.
Isn't that where they make <i>Videodrome</i>?

249
00:21:50,435 --> 00:21:52,980
Yeah. Why?

250
00:21:54,398 --> 00:21:56,566
I'm gonna audition.

251
00:21:58,151 --> 00:22:00,112
I was made for that show.

252
00:22:00,195 --> 00:22:03,115
Nobody on earth
was made for that show.

253
00:22:05,283 --> 00:22:08,078
Hey. Listen to me.

254
00:22:11,081 --> 00:22:12,749
- Listen to me.
- What?

255
00:22:12,833 --> 00:22:14,501
I want you to stay away from it.

256
00:22:14,584 --> 00:22:17,212
Those mondo weirdo video guys,
they've got unsavory connections.

257
00:22:17,295 --> 00:22:20,424
They play rough, rougher than
even Nicki Brand wants to play.

258
00:22:20,507 --> 00:22:22,551
Do you understand me?

259
00:22:22,634 --> 00:22:24,594
Sounds like a challenge.

260
00:22:33,979 --> 00:22:35,647
Got a cigarette?

261
00:22:38,233 --> 00:22:39,901
It's not a challenge.

262
00:22:40,902 --> 00:22:44,531
I swear. You know, in Brazil,
Central America, those kinds of places...

263
00:22:44,614 --> 00:22:49,077
making underground video
is considered a subversive act.

264
00:22:49,161 --> 00:22:52,706
They execute people for it.
In Pittsburgh, who knows?

265
00:23:02,132 --> 00:23:04,217
Max.

266
00:23:12,642 --> 00:23:15,228
Nicki, don't!

267
00:23:30,077 --> 00:23:31,995
Nicki, don't.

268
00:23:37,084 --> 00:23:39,252
Don't.

269
00:24:32,639 --> 00:24:37,602
- Do you have a hangover?
- No. Stayed up late watching TV.

270
00:24:38,770 --> 00:24:41,648
Did you get in touch
with our friends in Pittsburgh?

271
00:24:41,731 --> 00:24:45,152
In a way.
At a distance.

272
00:24:45,235 --> 00:24:47,195
- Subterranean grapevine.
- And?

273
00:24:48,822 --> 00:24:50,949
Max...

274
00:24:51,032 --> 00:24:54,494
<i>Videodrome</i> is something
for you to leave alone.

275
00:24:54,578 --> 00:24:58,707
It is definitely not
for public consumption.

276
00:24:58,790 --> 00:25:03,170
Channel 83 is a little small
to be considered public.

277
00:25:03,253 --> 00:25:05,505
It is still too public.

278
00:25:05,589 --> 00:25:08,466
- Do you understand me?
- No. What's the punch line?

279
00:25:09,467 --> 00:25:12,345
I think it's dangerous, Max,
<i>Videodrome.</i>

280
00:25:12,429 --> 00:25:15,599
- Why? It's Mafia? They do business.
- No, no.

281
00:25:15,682 --> 00:25:19,561
It's more, um —
How can I say?

282
00:25:19,644 --> 00:25:21,605
More political than that.

283
00:25:22,898 --> 00:25:26,860
- Come on, Masha. What are we talkin' about?
<i>- Videodrome.</i>

284
00:25:26,943 --> 00:25:29,446
What you see on that show...

285
00:25:29,529 --> 00:25:31,281
it's for real.

286
00:25:31,364 --> 00:25:35,869
It's not acting.
It's snuff TV.

287
00:25:35,952 --> 00:25:37,579
I don't believe it.

288
00:25:40,457 --> 00:25:44,085
So don't believe.

289
00:25:44,169 --> 00:25:45,879
Why do it for real?

290
00:25:45,962 --> 00:25:49,174
It's easier and safer to fake it.

291
00:25:49,257 --> 00:25:51,718
Because it has something...

292
00:25:51,801 --> 00:25:54,221
that you don't have, Max.

293
00:25:54,304 --> 00:25:56,056
It has a philosophy...

294
00:25:56,139 --> 00:26:00,477
- and that is what makes it dangerous.
- Whose philosophy?

295
00:26:02,604 --> 00:26:05,232
There must be a name.

296
00:26:05,315 --> 00:26:09,027
Give me a name I can talk to.
Masha, Masha, you know me.

297
00:26:09,110 --> 00:26:11,613
I stay away from the scary stuff.

298
00:26:15,659 --> 00:26:17,661
Max...

299
00:26:17,744 --> 00:26:21,248
you are going to have to
be nice to me for this.

300
00:26:21,331 --> 00:26:25,460
We can take a shower together,
anytime you say.

301
00:26:28,338 --> 00:26:32,759
I'm sure you would be
very beautiful...

302
00:26:32,842 --> 00:26:37,138
but, uh, you're a little older
than I prefer.

303
00:26:38,139 --> 00:26:40,267
<i>Thank you...</i>

304
00:26:40,350 --> 00:26:43,019
so much.

305
00:26:49,025 --> 00:26:50,944
Sell me a name...

306
00:26:51,027 --> 00:26:53,488
and I'll make <i>Apollo and Dionysus</i>
part of the package.

307
00:26:56,408 --> 00:26:58,785
That hurts me, Max.

308
00:26:58,868 --> 00:27:01,329
Hey, the world's
a shithole, ain't it?

309
00:27:04,541 --> 00:27:06,334
Yes, Max.

310
00:27:06,418 --> 00:27:08,378
It is.

311
00:27:13,925 --> 00:27:16,469
Brian O'Blivion.

312
00:27:16,553 --> 00:27:19,014
That is the only name
I have to give.

313
00:27:19,097 --> 00:27:23,101
Professor Brian O'Blivion.

314
00:27:28,106 --> 00:27:30,066
<i>Wait, where you goin'? Come back here.</i>

315
00:27:30,150 --> 00:27:32,569
Hey. Hey, buddy. Got a fag?

316
00:27:32,652 --> 00:27:35,572
<i>- Are they goin' in now?
- Got a cigarette?</i>

317
00:27:39,743 --> 00:27:42,704
- Gotta have a smoke and a cup of coffee.
- Wait a minute.

318
00:27:42,787 --> 00:27:46,082
They don't serve coffee there.
They just serve piss water.

319
00:27:46,166 --> 00:27:51,671
I don't need to put up
with this shit. I'm a young woman.

320
00:27:51,755 --> 00:27:56,468
<i>Take a good look at me.
I'm a good-lookin' woman. I got nice tits.</i>

321
00:27:56,551 --> 00:27:58,470
<i>Let's go.</i>

322
00:28:04,517 --> 00:28:07,437
<i>Hello. Move along.</i>

323
00:28:14,110 --> 00:28:16,529
<i>Move out of my way!</i>

324
00:28:16,613 --> 00:28:19,532
Hello.
Straight down the hallway.

325
00:28:22,911 --> 00:28:25,830
Keep on.
Straight down the hallway.

326
00:28:25,914 --> 00:28:28,833
<i>Keep going, keep going.</i>

327
00:28:30,460 --> 00:28:33,088
Come on. Step along.

328
00:29:13,545 --> 00:29:15,463
- Bianca O'Blivion?
- Yes.

329
00:29:15,547 --> 00:29:18,758
I'm Max Renn. I, uh —
I run Civic TV.

330
00:29:18,842 --> 00:29:22,637
I did a panel show with Prof. O'Blivion.
<i>The Rena King Show.</i>

331
00:29:22,720 --> 00:29:25,640
Oh, yes. You said some
very superficial things.

332
00:29:25,723 --> 00:29:28,101
Violence, sex, imagination, catharsis.

333
00:29:28,184 --> 00:29:30,228
- My exact words.
- What do you want?

334
00:29:30,311 --> 00:29:32,605
I wanna talk with your father...

335
00:29:32,689 --> 00:29:35,984
about a new twist in video
that he may not be aware of.

336
00:29:57,589 --> 00:30:00,091
I love the view.

337
00:30:00,175 --> 00:30:04,012
You look like them,
like one of Father's derelicts.

338
00:30:04,095 --> 00:30:06,806
Think it's a style that's coming back.

339
00:30:06,890 --> 00:30:10,351
In their case, Mr. Renn,
it's not a style.

340
00:30:10,435 --> 00:30:14,689
It's a disease forced on them by their
lack of access to the cathode ray tube.

341
00:30:14,772 --> 00:30:17,108
You think a few doses of TV
are gonna help them?

342
00:30:17,192 --> 00:30:22,030
Watching TV will help patch them
back into the world's mixing board.

343
00:30:22,113 --> 00:30:24,157
Absolutely.

344
00:30:26,075 --> 00:30:30,205
And I guess you encourage Father's derelicts
to make home movies?

345
00:30:30,288 --> 00:30:32,290
The world's mixing board?

346
00:30:32,373 --> 00:30:35,668
<i>Professor O'Blivion sends video letters
all over the world.</i>

347
00:30:35,752 --> 00:30:39,506
- Is the Professor here?
- I am my father's screen.

348
00:30:47,597 --> 00:30:52,352
Once you've told me what this visit is all
about, he may choose to send you a cassette.

349
00:30:52,435 --> 00:30:54,687
If he does, which format
would you like?

350
00:30:54,771 --> 00:30:57,440
If he does, it's gonna
make conversation a little difficult.

351
00:30:58,441 --> 00:31:02,237
My father has not engaged in conversation
for at least 20 years.

352
00:31:02,320 --> 00:31:05,782
The monologue
is his preferred mode of discourse.

353
00:31:06,991 --> 00:31:08,952
Format.

354
00:31:10,578 --> 00:31:12,705
<i>Videodrome.</i>

355
00:31:12,789 --> 00:31:15,333
Is that a Japanese configuration?

356
00:31:17,669 --> 00:31:19,837
- You've never heard of it?
- No.

357
00:31:19,921 --> 00:31:23,216
Then there have been serious gaps
in your education.

358
00:31:23,299 --> 00:31:25,718
<i>Videodrome.</i>

359
00:31:25,802 --> 00:31:29,889
Mention it to your father.
He may want to have a conversation.

360
00:31:29,973 --> 00:31:33,893
<i>I love the view.</i>

361
00:31:48,783 --> 00:31:52,579
<i>Torture, murder, mutilation.</i>

362
00:31:52,662 --> 00:31:54,831
Videodrome.

363
00:31:54,914 --> 00:31:57,584
<i>What you see on that show...</i>

364
00:31:57,667 --> 00:31:59,711
<i>it's for real.</i>

365
00:31:59,794 --> 00:32:01,921
<i>I'm gonna audition.</i>

366
00:32:02,005 --> 00:32:04,090
<i>I was made for that show.</i>

367
00:32:04,173 --> 00:32:09,512
<i>It has something
that you don't have, Max.</i>

368
00:32:09,596 --> 00:32:14,225
<i>It has a philosophy,
and that is what makes it dangerous.</i>

369
00:32:57,352 --> 00:33:00,855
Hi. This is
your wake-up cassette...

370
00:33:00,938 --> 00:33:03,483
<i>and this came to the office
for you by courier.</i>

371
00:33:03,566 --> 00:33:06,319
- What did they say at CRAM?
- They said that Nicki Brand...

372
00:33:06,402 --> 00:33:08,696
is definitely not
on assignment for them.

373
00:33:08,780 --> 00:33:11,157
<i>She had a month off coming.
She decided to take it now...</i>

374
00:33:11,240 --> 00:33:13,242
Don't touch that!

375
00:33:19,624 --> 00:33:22,126
Jesus, Max, you scared me.

376
00:33:25,672 --> 00:33:28,007
What the hell's wrong with you?

377
00:33:28,091 --> 00:33:31,344
I don't know, man. I think I'm gettin',
like, a rash or somethin'.

378
00:33:31,427 --> 00:33:34,681
- Uh —
- What?

379
00:33:34,764 --> 00:33:38,059
Are you all right?
Bridey, I didn't mean to hit you.

380
00:33:38,142 --> 00:33:40,103
Hit me?

381
00:33:41,104 --> 00:33:42,980
You didn't hit me.

382
00:33:43,064 --> 00:33:47,318
No? No.
No, I know I didn't hit you. I meant —

383
00:33:48,945 --> 00:33:51,864
Do you want me to stay here?

384
00:33:52,949 --> 00:33:55,868
- Uh —
- You look awful.

385
00:33:55,952 --> 00:33:58,371
- Can I get you something?
- Uh, no, uh —

386
00:33:58,454 --> 00:34:00,873
No, I'm just, uh —

387
00:34:00,957 --> 00:34:03,501
Uh, I'm —

388
00:34:03,584 --> 00:34:07,630
I'm exhausted.
I was in a deep sleep when you knocked...

389
00:34:07,714 --> 00:34:10,049
and I guess I'm still not out of it.

390
00:34:10,133 --> 00:34:12,051
I'll remember to set the timer.
Don't worry.

391
00:34:12,135 --> 00:34:14,053
- You're sure? Are you sure?
- I'm sure. Yeah.

392
00:34:14,137 --> 00:34:16,055
Thanks, Bridey.
Tomorrow.

393
00:34:16,139 --> 00:34:18,641
Max, that other cassette
is from the office of Brian O'Blivion.

394
00:34:18,725 --> 00:34:22,395
I promised
I'd hand-deliver it directly to you.

395
00:34:22,478 --> 00:34:25,064
Will you call me
if you need me?

396
00:35:23,623 --> 00:35:26,292
The battle for the mind
of North America...

397
00:35:26,375 --> 00:35:29,170
will be fought in the video arena:

398
00:35:29,253 --> 00:35:31,172
the Videodrome.

399
00:35:31,255 --> 00:35:36,302
<i>The television screen
is the retina of the mind's eye.</i>

400
00:35:36,385 --> 00:35:40,932
<i>Therefore, the television screen is part
of the physical structure of the brain.</i>

401
00:35:41,015 --> 00:35:45,937
Therefore, whatever appears
on the television screen...

402
00:35:46,020 --> 00:35:50,608
emerges as raw experience
for those who watch it.

403
00:35:50,691 --> 00:35:54,445
Therefore, television is reality...

404
00:35:54,529 --> 00:35:57,824
and reality is less than television.

405
00:35:57,907 --> 00:36:00,618
Max.

406
00:36:00,701 --> 00:36:04,956
<i>I'm so glad you came to me.</i>

407
00:36:05,039 --> 00:36:07,750
I've been through it all
myself, you see.

408
00:36:09,168 --> 00:36:14,173
<i>Your reality is already
half video hallucination.</i>

409
00:36:14,257 --> 00:36:18,845
<i>If you're not careful,
it will become total hallucination.</i>

410
00:36:18,928 --> 00:36:24,100
You'll have to learn to live
in a very strange new world.

411
00:36:24,183 --> 00:36:26,185
I had a brain tumor...

412
00:36:26,269 --> 00:36:28,271
<i>and I had visions.</i>

413
00:36:29,730 --> 00:36:33,025
I believed the visions
caused the tumor...

414
00:36:33,109 --> 00:36:35,528
and not the reverse.

415
00:36:35,611 --> 00:36:41,409
I could feel the visions
coalesce and become flesh.

416
00:36:41,492 --> 00:36:44,662
Uncontrollable flesh.

417
00:36:45,955 --> 00:36:48,124
But when they removed the tumor...

418
00:36:49,125 --> 00:36:51,752
it was called Videodrome.

419
00:36:53,462 --> 00:36:55,381
I was the —

420
00:36:55,464 --> 00:36:57,884
<i>I — I...</i>

421
00:36:57,967 --> 00:37:00,928
was Videodrome's...

422
00:37:01,012 --> 00:37:03,890
first victim.

423
00:37:04,891 --> 00:37:07,018
But who's behind it?
What do they want?

424
00:37:08,978 --> 00:37:11,105
I want you, Max.

425
00:37:12,440 --> 00:37:14,859
You.

426
00:37:17,653 --> 00:37:19,614
Come to me.

427
00:37:21,157 --> 00:37:23,326
<i>Come to Nicki.</i>

428
00:37:24,702 --> 00:37:26,621
<i>Come on.</i>

429
00:37:26,704 --> 00:37:29,582
Don't make me wait.

430
00:37:33,544 --> 00:37:35,755
Please.

431
00:38:05,576 --> 00:38:09,705
I want you, Max.

432
00:38:09,789 --> 00:38:11,707
You.

433
00:38:13,918 --> 00:38:15,962
Come on.

434
00:38:17,213 --> 00:38:20,257
Come on.

435
00:38:25,096 --> 00:38:27,431
Come to me now.

436
00:38:28,557 --> 00:38:30,851
Come to Nicki.

437
00:38:30,935 --> 00:38:34,689
Don't keep me waiting.

438
00:38:34,772 --> 00:38:36,774
Please.

439
00:38:40,736 --> 00:38:42,738
Please.

440
00:39:00,756 --> 00:39:04,719
<i>Today Lady Luck
may smile on these four players...</i>

441
00:39:04,802 --> 00:39:07,221
<i>and start them on the road
to $12,000 —</i>

442
00:39:07,304 --> 00:39:09,544
We have a new group of people
coming in this afternoon...

443
00:39:09,598 --> 00:39:12,685
- so tell the staff about that.
- All right. Good.

444
00:39:24,321 --> 00:39:27,491
Exciting. Very lively.

445
00:39:27,575 --> 00:39:29,994
Careful. It bites.

446
00:39:35,958 --> 00:39:38,127
- You watched the cassette?
- Yeah.

447
00:39:38,210 --> 00:39:39,837
- And?
- It changed my life.

448
00:39:39,920 --> 00:39:42,298
I'm not surprised.
It's dangerous, you know.

449
00:39:42,381 --> 00:39:45,801
Because your father admits
he's somehow involved with Videodrome?

450
00:39:45,885 --> 00:39:50,347
More than that. It bites.
Isn't that what you said?

451
00:39:50,431 --> 00:39:52,349
What kind of teeth
do you think it has?

452
00:39:52,433 --> 00:39:56,312
It triggered off a series of hallucinations.
I woke up with a headache.

453
00:39:56,395 --> 00:39:59,899
<i>- First time ever?</i>
- No, I-I've been hallucinating for a while...

454
00:39:59,982 --> 00:40:01,942
- ever since —
- What?

455
00:40:04,779 --> 00:40:07,615
Since I first saw <i>Videodrome.</i>

456
00:40:09,492 --> 00:40:11,494
How did you come
to be exposed to it?

457
00:40:11,577 --> 00:40:14,622
Pirate satellite dish.

458
00:40:14,705 --> 00:40:17,958
A-An accident.

459
00:40:18,042 --> 00:40:20,044
I made some tapes.

460
00:40:20,127 --> 00:40:22,046
This is part of my own
Videodrome collection.

461
00:40:22,129 --> 00:40:24,882
But that tape is just your father
sitting at his desk.

462
00:40:24,965 --> 00:40:30,805
The tone of the hallucinations is determined
by the tone of the tape's imagery.

463
00:40:30,888 --> 00:40:34,183
<i>But the Videodrome signal,
the one that does the damage...</i>

464
00:40:34,266 --> 00:40:38,062
it can be delivered
under a test pattern, anything.

465
00:40:38,145 --> 00:40:40,064
Mmm.

466
00:40:42,525 --> 00:40:44,443
Damage?

467
00:40:44,527 --> 00:40:47,780
The signal induces
a brain tumor in the viewer.

468
00:40:48,781 --> 00:40:51,283
<i>It's the tumor that creates
the hallucinations.</i>

469
00:40:51,367 --> 00:40:53,702
You let me watch it?

470
00:40:53,786 --> 00:40:57,915
I expect them to come to me eventually
to hurt me. I thought it might be you.

471
00:40:59,208 --> 00:41:01,794
Now I realize you're
just another victim...

472
00:41:01,877 --> 00:41:03,879
like Father was.

473
00:41:03,963 --> 00:41:08,259
Where is your father?
I think I'd better talk to him.

474
00:41:08,342 --> 00:41:10,845
He's in there.

475
00:41:14,598 --> 00:41:17,184
I'm afraid he'll disappoint you.

476
00:41:22,940 --> 00:41:25,109
This is him.

477
00:41:25,192 --> 00:41:28,404
- This is all that's left.
- What are you talking about?

478
00:41:28,487 --> 00:41:33,450
Brian O'Blivion died quietly
on an operating table 11 months ago.

479
00:41:33,534 --> 00:41:37,830
- The brain problem?
- The Videodrome problem.

480
00:41:37,913 --> 00:41:42,084
- You have it too.
<i>- But he was on that panel show with me.</i>

481
00:41:42,168 --> 00:41:44,837
On tape.
He made thousands of them.

482
00:41:44,920 --> 00:41:47,631
Sometimes three or four a day.

483
00:41:47,715 --> 00:41:50,009
I keep him alive as best I can.

484
00:41:50,092 --> 00:41:52,136
He had so much to offer.

485
00:41:52,219 --> 00:41:55,264
<i>My father helped
to create Videodrome.</i>

486
00:41:55,347 --> 00:42:00,144
<i>He saw it as the next phase in the evolution
of man as a technological animal.</i>

487
00:42:00,227 --> 00:42:03,355
<i>When he realized what his partners
were going to use it for...</i>

488
00:42:03,439 --> 00:42:05,399
<i>he tried to take it
away from them.</i>

489
00:42:05,482 --> 00:42:09,445
<i>And they killed him.
Quietly.</i>

490
00:42:09,528 --> 00:42:12,740
At the end, he was convinced
that public life on television...

491
00:42:12,823 --> 00:42:16,493
was more real than
private life in the flesh.

492
00:42:16,577 --> 00:42:19,371
He wasn't afraid
to let his body die.

493
00:42:24,919 --> 00:42:27,254
Tell me about
my Videodrome problem.

494
00:42:28,255 --> 00:42:31,133
My father knows much more
about it than I do.

495
00:42:31,217 --> 00:42:33,135
Listen to him.

496
00:42:39,725 --> 00:42:42,019
Where's Harlan?
He's not in the lab.

497
00:42:42,102 --> 00:42:45,731
- I think he's up in V.T.R. Max —
- Not now.

498
00:42:48,609 --> 00:42:50,861
- Harlan.
<i>- Sí, patrón.</i>

499
00:42:50,945 --> 00:42:53,781
Have you been hallucinating lately?

500
00:42:53,864 --> 00:42:56,033
No.

501
00:42:56,116 --> 00:42:58,994
- Should I be?
- Yes.

502
00:42:59,078 --> 00:43:00,996
You should be.

503
00:43:04,416 --> 00:43:06,377
I believe...

504
00:43:06,460 --> 00:43:09,463
that the growth in my head —

505
00:43:09,546 --> 00:43:13,509
this head, this one right here —

506
00:43:13,592 --> 00:43:17,346
<i>I think that it is not
really a tumor...</i>

507
00:43:17,429 --> 00:43:21,850
<i>not an uncontrolled,
undirected little bubbling pot of flesh...</i>

508
00:43:21,934 --> 00:43:24,895
<i>but that it is in fact...</i>

509
00:43:24,979 --> 00:43:27,439
a new organ...

510
00:43:27,523 --> 00:43:30,109
a new part of the brain.

511
00:43:30,192 --> 00:43:34,530
I think that massive doses
of Videodrome signal...

512
00:43:34,613 --> 00:43:38,575
will ultimately create
a new outgrowth...

513
00:43:38,659 --> 00:43:41,245
<i>of the human brain...</i>

514
00:43:41,328 --> 00:43:45,124
<i>which will produce
and control hallucination...</i>

515
00:43:45,207 --> 00:43:49,169
<i>to the point that it will
change human reality.</i>

516
00:43:49,253 --> 00:43:52,131
<i>After all, there is nothing real...</i>

517
00:43:52,214 --> 00:43:55,592
outside our perception of reality...

518
00:43:55,676 --> 00:43:57,594
is there?

519
00:43:59,680 --> 00:44:02,558
You can see that, can't you?

520
00:45:46,995 --> 00:45:49,164
- Max Renn?
- Yes.

521
00:45:49,248 --> 00:45:50,874
Who is this?

522
00:45:50,958 --> 00:45:54,378
Barry Convex would like to talk
to you about Videodrome.

523
00:45:54,461 --> 00:45:57,131
I've got a car waiting
downstairs for you, sir.

524
00:46:35,878 --> 00:46:40,090
Please direct your attention to
the television set in front of you, Mr. Renn.

525
00:46:40,174 --> 00:46:44,136
<i>Mr. Convex has recorded
a little introduction for you.</i>

526
00:46:55,481 --> 00:46:59,735
<i>Hi, I'm Barry Convex,
Chief of Special Programs...</i>

527
00:46:59,818 --> 00:47:03,739
and I'd like to invite you
into the world of Spectacular Optical...

528
00:47:03,822 --> 00:47:07,117
an enthusiastic global corporate citizen.

529
00:47:08,118 --> 00:47:10,162
We make inexpensive glasses
for the Third World...

530
00:47:10,245 --> 00:47:12,581
and missile guidance systems for NATO.

531
00:47:14,208 --> 00:47:16,126
We also make Videodrome, Max...

532
00:47:16,210 --> 00:47:18,253
<i>and as I'm sure you know...</i>

533
00:47:18,337 --> 00:47:22,424
<i>when it's ready for the marketplace,
things will never be quite the same again.</i>

534
00:47:23,425 --> 00:47:27,721
It can be a giant hallucination machine
and much, much more.

535
00:47:27,804 --> 00:47:32,976
But it's not ready.
Those were test transmissions you picked up.

536
00:47:33,060 --> 00:47:35,103
We thought nobody
could tap into them.

537
00:47:35,187 --> 00:47:39,483
He's good, that Harlan.
Good pirate.

538
00:47:40,526 --> 00:47:42,778
Well, now that you have...

539
00:47:42,861 --> 00:47:45,822
I think we oughta have
a little talk, don't you?

540
00:47:45,906 --> 00:47:48,909
I thought maybe... my place?

541
00:49:00,564 --> 00:49:03,191
<i>I hope you realize
you're playing with dynamite.</i>

542
00:49:04,318 --> 00:49:07,738
That's our spring line.
Top secret stuff.

543
00:49:07,821 --> 00:49:12,409
<i>I brought it with me for a trade show
here in town later this week.</i>

544
00:49:12,492 --> 00:49:15,704
Max Renn, I'm Barry Convex.

545
00:49:18,790 --> 00:49:20,709
I —

546
00:49:20,792 --> 00:49:22,753
I think that machinery
you're wearing is...

547
00:49:22,836 --> 00:49:24,921
too much for the shape of your face.

548
00:49:25,005 --> 00:49:26,923
Overwhelms you.

549
00:49:27,007 --> 00:49:30,469
Try something more, uh, spidery...

550
00:49:30,552 --> 00:49:32,554
more delicate.

551
00:49:35,849 --> 00:49:39,102
Here she is.
This is our prototype.

552
00:49:39,186 --> 00:49:43,106
This is the little number
that started it all.

553
00:49:44,483 --> 00:49:46,526
Max...

554
00:49:46,610 --> 00:49:50,447
I would like you
to try this on for size.

555
00:49:50,530 --> 00:49:55,786
I would like to use this machine
to record one of your hallucinations now.

556
00:49:55,869 --> 00:49:59,956
Then I would like to take that tape
back with me to home base for analysis.

557
00:50:01,333 --> 00:50:03,251
Do I get to keep the copyright?

558
00:50:03,335 --> 00:50:07,464
I mean, I'd hate to see it show up as
a Movie of the Week and not get paid for it.

559
00:50:07,547 --> 00:50:09,466
Max, I'm trying to help you.

560
00:50:09,549 --> 00:50:11,802
What makes you think
I need help, Barry?

561
00:50:11,885 --> 00:50:17,391
None of our test subjects
has returned to... normality.

562
00:50:17,474 --> 00:50:20,185
They're all in need
of intensive psychiatric care.

563
00:50:21,687 --> 00:50:24,564
<i>Now, you seem
to be functioning reasonably well...</i>

564
00:50:24,648 --> 00:50:26,566
so far.

565
00:50:26,650 --> 00:50:29,277
I'd like to find out why...

566
00:50:29,361 --> 00:50:31,738
and I think an analysis
of one of your hallucinations...

567
00:50:31,822 --> 00:50:34,658
would be the right place to start.

568
00:50:37,994 --> 00:50:39,913
Will it hurt?

569
00:50:39,996 --> 00:50:42,124
It won't hurt you.

570
00:50:42,207 --> 00:50:44,292
You might catch yourself
sliding in and out...

571
00:50:44,376 --> 00:50:46,503
of a hallucinatory state
after this is all over.

572
00:50:46,586 --> 00:50:50,507
If you do, just relax and enjoy it.
It'll soon go away.

573
00:50:50,590 --> 00:50:54,177
But for now, I think that
you'll find a little S-and-M...

574
00:50:54,261 --> 00:50:58,807
will be necessary to trigger off
a good, healthy series of hallucinations.

575
00:50:58,890 --> 00:51:02,561
That's why our <i>Videodrome</i> show is so strange.

576
00:51:02,644 --> 00:51:06,732
<i>Something to do with the effects of exposure
to violence on the nervous system.</i>

577
00:51:06,815 --> 00:51:09,317
It opens up receptors
in the brain and the spine...

578
00:51:09,401 --> 00:51:12,028
and that allows
the Videodrome signal to sink in.

579
00:51:12,112 --> 00:51:14,364
<i>You mean I'm gonna have
to hurt you, Barry?</i>

580
00:51:14,448 --> 00:51:17,659
<i>'Fraid not. You don't have
to actually hurt anybody.</i>

581
00:51:17,743 --> 00:51:19,953
<i>You just have to think about it.</i>

582
00:51:28,670 --> 00:51:30,714
Wha-a-a — That's too bright!
I can't take it!

583
00:51:30,797 --> 00:51:33,258
- Yes! I forgot! Sorry! How's that?
- Shit.

584
00:51:33,341 --> 00:51:36,595
<i>Yeah. Yeah. Yeah, that's fine.</i>

585
00:51:42,559 --> 00:51:45,270
Okay, we're rolling.

586
00:51:45,353 --> 00:51:47,647
<i>The taping mechanism
is all self-contained.</i>

587
00:51:47,731 --> 00:51:50,984
<i>You don't have to do
anything now but hallucinate.</i>

588
00:51:51,067 --> 00:51:52,986
Yeah. Yeah. Okay.

589
00:51:57,491 --> 00:51:59,451
I'll come back for you later.

590
00:52:01,912 --> 00:52:06,041
You'll forgive me if I don't
stay around to watch.

591
00:52:06,124 --> 00:52:09,044
I just can't cope with the freaky stuff.

592
00:52:57,717 --> 00:52:59,719
<i>Nicki?</i>

593
00:53:01,555 --> 00:53:07,143
<i>- Nicki.</i>
- Well, here we are at last...

594
00:53:07,227 --> 00:53:10,272
right where we oughta be:

595
00:53:10,355 --> 00:53:12,524
on <i>Videodrome.</i>

596
00:53:25,954 --> 00:53:28,874
What are you waiting for, lover?

597
00:53:28,957 --> 00:53:31,001
Let's perform.

598
00:53:31,084 --> 00:53:33,795
Let's open those neural floodgates.

599
00:53:59,112 --> 00:54:01,072
<i>Aah!</i>

600
00:54:04,200 --> 00:54:06,119
<i>Aah!</i>

601
00:54:19,925 --> 00:54:22,260
Aah!

602
00:54:25,180 --> 00:54:27,557
<i>Aah!</i>

603
00:54:32,979 --> 00:54:35,565
Aah!

604
00:54:47,827 --> 00:54:50,956
What's going on, Professor O'Blivion?

605
00:54:51,039 --> 00:54:53,083
I mean, really.

606
00:54:53,166 --> 00:54:55,460
Oh.

607
00:55:24,823 --> 00:55:27,033
Oh, Masha.

608
00:56:00,900 --> 00:56:02,819
Harlan...

609
00:56:02,902 --> 00:56:04,821
it's Max.

610
00:56:04,904 --> 00:56:07,991
Can you come over to my apartment?
Right away.

611
00:56:08,074 --> 00:56:09,993
Yeah, I'm serious.

612
00:56:11,369 --> 00:56:14,330
- Come on in.
- Well, here I am, <i>patrón.</i>

613
00:56:14,414 --> 00:56:17,876
Camera. Flashgun. What's up?
You wanna be a centerfold?

614
00:56:17,959 --> 00:56:19,878
I want you to go
into my bedroom...

615
00:56:19,961 --> 00:56:22,172
and I want you to take a look
at what's in my bed.

616
00:56:22,255 --> 00:56:24,758
Uncover it. Don't be shy.
I want pictures.

617
00:56:27,802 --> 00:56:30,805
- Pictures of what's in your bed?
- Yeah. Do it.

618
00:56:32,599 --> 00:56:34,934
Sure. Okay.

619
00:56:37,604 --> 00:56:39,564
Oh, God.

620
00:56:56,081 --> 00:56:57,749
Well?

621
00:57:01,336 --> 00:57:03,296
Max.

622
00:57:06,716 --> 00:57:08,635
I don't see anything.

623
00:57:09,719 --> 00:57:13,056
You didn't just want me to shoot
your bed, pillows, sheets...

624
00:57:13,139 --> 00:57:15,642
<i>did you?</i>

625
00:57:24,984 --> 00:57:28,446
- It's disa —
- Max, are you in some kind of drug warp?

626
00:57:29,447 --> 00:57:33,243
<i>I've got friends who can help.
Bridey said she came by
a couple of days ago. You were —</i>

627
00:57:33,326 --> 00:57:35,537
Did you tape <i>Videodrome</i>
last night?

628
00:57:35,620 --> 00:57:37,598
If it was transmitted,
the machine would've caught it.

629
00:57:37,622 --> 00:57:39,683
I'll meet you in the lab in one hour.
I wanna see it.

630
00:57:39,707 --> 00:57:43,753
- Jeez, it's not even 7:00 a.m.
- I'm not fucking around! Do you understand?

631
00:57:43,837 --> 00:57:47,423
Well, fuck you. I'm not some fucking
servomechanism you can switch on.

632
00:57:47,507 --> 00:57:51,386
You want me to run around like an asshole,
tell me what I'm doing it for.

633
00:57:51,469 --> 00:57:53,447
Otherwise, I'll see you
during office hours, <i>patrón.</i>

634
00:57:53,471 --> 00:57:56,432
Harlan... you're right.

635
00:57:56,516 --> 00:58:00,270
It's momentum. I'm runnin' like an express
train here. I don't know how to stop.

636
00:58:00,353 --> 00:58:02,814
Look, I'll meet you
in the lab in one hour.

637
00:58:02,897 --> 00:58:06,401
Okay? And then we'll see if we pulled in
any <i>Videodrome</i> last night...

638
00:58:06,484 --> 00:58:08,403
and I'll tell you what's going on.

639
00:58:08,486 --> 00:58:11,239
Everything. I promise.
Okay?

640
00:58:11,322 --> 00:58:14,951
Okay. I'm sorry
if I freaked out on you.

641
00:58:15,034 --> 00:58:18,413
- I don't work with you for the money.
- I know that.

642
00:58:18,496 --> 00:58:20,957
With pirates, it's never
just for the money, is it?

643
00:58:21,040 --> 00:58:25,461
You want a cup of cof — No, look.
I'll meet you in the lab in an hour.

644
00:59:06,502 --> 00:59:08,421
Come on in.

645
00:59:09,589 --> 00:59:13,343
Did you look at the tape?

646
00:59:13,426 --> 00:59:17,805
<i>- Did you see me on</i> Videodrome<i>?</i>
- There was no tape.

647
00:59:17,889 --> 00:59:20,558
There was no <i>Videodrome</i>
transmission last night?

648
00:59:20,642 --> 00:59:22,560
Not last night.

649
00:59:22,644 --> 00:59:25,146
- Aw, fuck!
- Not ever.

650
00:59:27,607 --> 00:59:29,567
What — What are you talking about?

651
00:59:34,030 --> 00:59:36,532
I'm out of my depth now, <i>patrón.</i>

652
00:59:36,616 --> 00:59:39,244
I had to bring in the reinforcements.

653
00:59:48,294 --> 00:59:50,088
Max.

654
00:59:51,798 --> 00:59:55,426
An intriguing combination.
Very interesting.

655
00:59:56,427 --> 00:59:59,347
- Don't let me interrupt.
- I think I was saying something like...

656
00:59:59,430 --> 01:00:02,183
"What are you talking about?"

657
01:00:02,267 --> 01:00:04,185
I was playing you tapes, Max.

658
01:00:05,228 --> 01:00:06,896
Prerecorded cassettes.

659
01:00:08,648 --> 01:00:12,402
Videodrome <i>has never been transmitted
on an open broadcast circuit.</i>

660
01:00:12,485 --> 01:00:14,404
Not yet.

661
01:00:14,487 --> 01:00:17,073
I guess Barry sent you here,
what, two years ago?

662
01:00:17,156 --> 01:00:21,744
It has been... two years,
hasn't it, Harlan?

663
01:00:21,828 --> 01:00:25,581
Two. Two wonderful years.

664
01:00:25,665 --> 01:00:27,875
Why?

665
01:00:32,839 --> 01:00:35,174
To get you involved.

666
01:00:36,759 --> 01:00:39,095
To expose you
to the Videodrome signal.

667
01:00:40,763 --> 01:00:43,266
It didn't affect you because
you never watched it!

668
01:00:45,351 --> 01:00:47,937
You knew what was there.
You didn't have to see it.

669
01:00:48,021 --> 01:00:52,775
It really does work
on just about anybody.

670
01:00:52,859 --> 01:00:55,069
Anybody who watches it, Max.

671
01:00:56,070 --> 01:00:58,031
But why would anybody watch it?

672
01:00:59,574 --> 01:01:03,536
Why would anybody watch
a scum show like <i>Videodrome</i>?

673
01:01:04,746 --> 01:01:06,956
Why did you watch it, Max?

674
01:01:07,040 --> 01:01:11,711
- Business reasons.
- Sure. Sure.

675
01:01:13,129 --> 01:01:15,298
What about the other reasons?

676
01:01:15,381 --> 01:01:19,302
Why deny you get your kicks
out of watching torture and murder?

677
01:01:19,385 --> 01:01:22,138
You murdered Brian O'Blivion,
didn't you, you freak?

678
01:01:22,221 --> 01:01:24,599
Did you enjoy that?

679
01:01:32,648 --> 01:01:35,151
North America's getting soft, <i>patrón.</i>

680
01:01:35,234 --> 01:01:38,613
<i>And the rest of the world
is getting tough.</i>

681
01:01:38,696 --> 01:01:40,615
Very, very tough.

682
01:01:41,783 --> 01:01:44,494
We're entering savage new times...

683
01:01:44,577 --> 01:01:47,747
and we're going to have to be pure...

684
01:01:47,830 --> 01:01:49,874
and direct...

685
01:01:49,957 --> 01:01:52,460
and strong...

686
01:01:52,543 --> 01:01:54,462
if we're gonna survive them.

687
01:01:54,545 --> 01:01:57,173
Now, you and this, uh...

688
01:01:59,425 --> 01:02:03,179
cesspool you call a television station...

689
01:02:03,262 --> 01:02:06,015
and, uh, your people
who wallow around in it...

690
01:02:06,099 --> 01:02:08,935
and, uh, your viewers...

691
01:02:09,018 --> 01:02:11,020
who watch you do it —

692
01:02:12,355 --> 01:02:15,358
<i>you're rotting us away
from the inside.</i>

693
01:02:17,151 --> 01:02:19,404
We intend to stop that rot.

694
01:02:19,487 --> 01:02:22,615
We're gonna start
with Channel 83, Max.

695
01:02:22,698 --> 01:02:26,869
We're gonna use it for our first authentic
transmissions of <i>Videodrome.</i>

696
01:02:26,953 --> 01:02:30,998
I have a hunch it's gonna be
very popular... for a while.

697
01:02:31,082 --> 01:02:33,501
I've gotta be hallucinating now, right?

698
01:02:33,584 --> 01:02:36,087
I mean...

699
01:02:36,170 --> 01:02:38,297
you two can't possibly be for real.

700
01:02:39,966 --> 01:02:42,718
Ah, we did record
your hallucinations, Max...

701
01:02:42,802 --> 01:02:44,804
as I said we would.

702
01:02:46,431 --> 01:02:48,433
And we did analyze them.

703
01:02:50,560 --> 01:02:52,728
You're ready for something new.

704
01:02:52,812 --> 01:02:54,647
That's terrific.

705
01:03:02,071 --> 01:03:05,450
What do you, uh —
What do you want from me?

706
01:03:05,533 --> 01:03:07,743
I want you to open up, Max.

707
01:03:07,827 --> 01:03:09,829
<i>Open up to me.</i>

708
01:03:24,218 --> 01:03:26,137
I've got something
I want to play for you.

709
01:03:30,391 --> 01:03:32,393
Oh, my God!

710
01:03:59,670 --> 01:04:02,465
<i>We want Channel 83, Max.</i>

711
01:04:02,548 --> 01:04:05,134
<i>Give it to us.</i>

712
01:04:05,218 --> 01:04:09,305
<i>Give us Channel 83.</i>

713
01:04:09,388 --> 01:04:11,849
<i>Kill your partners.</i>

714
01:04:11,933 --> 01:04:13,976
<i>Kill them.</i>

715
01:04:14,060 --> 01:04:18,064
<i>Kill your partners
and give us Channel 83.</i>

716
01:04:37,041 --> 01:04:38,834
Aah.

717
01:05:57,496 --> 01:06:00,249
<i>Give us Channel 83.</i>

718
01:06:00,333 --> 01:06:02,585
<i>Kill your partners.</i>

719
01:06:02,668 --> 01:06:04,587
<i>Kill them.</i>

720
01:06:04,670 --> 01:06:09,300
<i>Kill your partners
and give us Channel 83.</i>

721
01:06:11,510 --> 01:06:13,471
Hello, Max.

722
01:06:24,023 --> 01:06:25,983
<i>How ya doin', Max?</i>

723
01:06:34,950 --> 01:06:36,869
Where's Moses?

724
01:06:37,870 --> 01:06:41,749
He's in a meeting with Rafe.
I'll tell him you want him.

725
01:06:42,833 --> 01:06:44,752
Don't.

726
01:06:54,553 --> 01:06:57,765
<i>We dub in a funny track. Gentle comedy.</i>

727
01:06:57,848 --> 01:07:01,602
<i>Mm-hmm.
And you'd be the one to write it?</i>

728
01:07:01,686 --> 01:07:05,856
<i>Yeah. Yeah, I would. I used to write
in high school, then I lost it.</i>

729
01:07:05,940 --> 01:07:08,150
Hi, Max.

730
01:07:08,234 --> 01:07:11,445
You're just in time to throw some light
on an interesting problem.

731
01:07:15,074 --> 01:07:16,867
Don't.

732
01:07:25,918 --> 01:07:28,003
Max.

733
01:07:28,087 --> 01:07:31,048
What the fuck?

734
01:07:33,926 --> 01:07:36,971
<i>Jesus!</i>

735
01:07:37,054 --> 01:07:38,973
<i>It was from the boardroom!</i>

736
01:07:39,056 --> 01:07:40,975
Max, what happened?
Are you hurt?

737
01:07:41,058 --> 01:07:43,018
- They killed — They —
- What happened?

738
01:07:43,102 --> 01:07:46,522
- They killed us!
- What happened?

739
01:07:46,605 --> 01:07:49,316
Jesus! Look out!

740
01:07:49,400 --> 01:07:52,194
<i>Help!</i>

741
01:07:52,278 --> 01:07:54,697
In here! In here!

742
01:07:54,780 --> 01:07:56,907
Get out! Just clear outta here!

743
01:07:56,991 --> 01:07:59,618
Come — Get out!

744
01:07:59,702 --> 01:08:01,871
Let me see.

745
01:08:04,790 --> 01:08:06,876
<i>Max!</i>

746
01:08:06,959 --> 01:08:08,919
Max.

747
01:08:51,504 --> 01:08:54,256
<i>Kill Bianca O'Blivion.</i>

748
01:08:54,340 --> 01:08:57,009
<i>She knows too much.</i>

749
01:08:57,092 --> 01:08:59,678
<i>She can hurt us.</i>

750
01:08:59,762 --> 01:09:01,806
<i>Don't let her hurt us, Max.</i>

751
01:09:02,807 --> 01:09:06,811
<i>Kill her.
Kill Bianca O'Blivion.</i>

752
01:10:12,626 --> 01:10:14,920
Bianca O'Blivion.

753
01:10:15,921 --> 01:10:18,924
I run Civic TV.

754
01:10:19,008 --> 01:10:21,176
I was on a talk show
with your father.

755
01:10:22,177 --> 01:10:25,097
So it was to be you after all.

756
01:10:25,180 --> 01:10:27,099
You've come to kill me.

757
01:10:27,182 --> 01:10:31,645
<i>No. No, I'm Max Renn.
I run Civic TV. I don't —</i>

758
01:10:36,275 --> 01:10:39,695
- I don't kill people.
- Oh, but you do.

759
01:10:39,778 --> 01:10:42,781
You're an assassin now
for Videodrome.

760
01:10:44,158 --> 01:10:46,368
<i>They can program you.</i>

761
01:10:46,452 --> 01:10:49,371
<i>They can play you
like a videotape recorder.</i>

762
01:10:49,455 --> 01:10:52,499
<i>They can make you do
what they want...</i>

763
01:10:52,583 --> 01:10:56,211
<i>and they want you to destroy
whatever is left of Brian O'Blivion.</i>

764
01:10:57,212 --> 01:10:59,214
They want you to destroy me.

765
01:10:59,298 --> 01:11:01,759
Destroy you?

766
01:11:30,329 --> 01:11:34,667
<i>They killed her, Max.
They killed Nicki Brand.</i>

767
01:11:37,628 --> 01:11:40,381
<i>She died on</i> Videodrome.

768
01:11:40,464 --> 01:11:44,218
<i>They used her image to seduce you,
but she was already dead.</i>

769
01:11:45,594 --> 01:11:47,721
<i>Don't back away.</i>

770
01:11:47,805 --> 01:11:50,975
<i>I stole it from them
just for you to see.</i>

771
01:11:55,688 --> 01:11:58,816
<i>Videodrome is death.</i>

772
01:12:20,713 --> 01:12:23,424
That's better.

773
01:12:23,507 --> 01:12:26,593
So much better.

774
01:12:29,596 --> 01:12:33,017
<i>It's always painful
to remove the cassette...</i>

775
01:12:34,018 --> 01:12:35,936
to change the program.

776
01:12:38,063 --> 01:12:40,441
But now that we have...

777
01:12:40,524 --> 01:12:44,111
you'll see that you've become something
quite different from what you were.

778
01:12:45,320 --> 01:12:48,532
<i>You've become
the video word made flesh.</i>

779
01:12:49,950 --> 01:12:52,870
I am the video word made flesh.

780
01:12:53,912 --> 01:12:57,499
<i>And now that you are
the video word made flesh...</i>

781
01:12:58,625 --> 01:13:00,586
you know what you have to do.

782
01:13:02,755 --> 01:13:05,674
You turn against Videodrome.

783
01:13:05,758 --> 01:13:08,761
You use the weapons they've given you
to destroy them.

784
01:13:10,763 --> 01:13:13,015
Death to Videodrome.

785
01:13:14,099 --> 01:13:16,643
Long live the new flesh.

786
01:13:17,770 --> 01:13:19,772
Death to Videodrome.

787
01:13:24,109 --> 01:13:26,278
Long live the new flesh.

788
01:13:38,791 --> 01:13:42,127
It was only 26 hours ago
in the building you see behind me...

789
01:13:42,211 --> 01:13:44,797
that a bizarre, apparently
motiveless shooting occurred...

790
01:13:44,880 --> 01:13:48,175
which has triggered off
an intensive manhunt by Metro Police.

791
01:13:48,258 --> 01:13:50,945
Thirty-four-year-old Max Renn,
president of the Civic TV Corporation...

792
01:13:50,969 --> 01:13:53,209
is being sought in connection
with the shooting deaths...

793
01:13:53,263 --> 01:13:55,182
of two executives
at Channel 83 —

794
01:13:55,265 --> 01:13:58,018
You wanna see the monkey dance,
you pay the piper.

795
01:13:58,102 --> 01:14:01,522
See what I'm sayin', Teddy? You know
how much my monkey's batteries cost?

796
01:14:01,605 --> 01:14:04,525
They don't last in the cold.
The cold knocks 'em right out.

797
01:14:04,608 --> 01:14:07,111
<i>I can't dance.
I would if I could.</i>

798
01:14:07,194 --> 01:14:08,987
But, uh, I can't, so —

799
01:14:09,071 --> 01:14:13,242
You got some change, Teddy?
You got somethin'. Half a buck. Teddy, yeah.

800
01:14:13,325 --> 01:14:17,371
<i>A quarter. You got somethin', Teddy.</i>

801
01:14:17,454 --> 01:14:19,790
<i>Can't ya put somethin' in, Teddy?</i>

802
01:15:04,334 --> 01:15:06,253
Well, hello, sport.

803
01:15:06,336 --> 01:15:09,381
They call me Brolley.
How can I help you, sir?

804
01:15:09,464 --> 01:15:12,009
- Just looking.
- Yeah, man.

805
01:15:12,092 --> 01:15:14,052
Well, that's a good one.

806
01:15:14,136 --> 01:15:17,431
There ain't much to see here, but
take your time and have a good look anyway.

807
01:15:17,514 --> 01:15:19,474
Ah, what this?

808
01:15:19,558 --> 01:15:23,770
Yeah, this is one hell
of a scrip you got here.

809
01:15:23,854 --> 01:15:25,939
<i>Very tricky grind.</i>

810
01:15:26,023 --> 01:15:29,484
<i>Can't imagine you'd see things
too clear without them, you know.</i>

811
01:15:29,568 --> 01:15:33,614
<i>Well, don't worry at all.
I'm gonna get you fixed up in no time flat.</i>

812
01:15:47,002 --> 01:15:49,504
Where's Convex?

813
01:15:49,588 --> 01:15:51,840
Oh, setting up his trade show.

814
01:15:51,924 --> 01:15:54,676
- Oh.
- Gotta introduce the spring line.

815
01:15:54,760 --> 01:15:57,512
- What's in the box?
- Your head.

816
01:15:59,932 --> 01:16:02,851
Got your head in this box.

817
01:16:02,935 --> 01:16:04,853
Ah.

818
01:16:04,937 --> 01:16:07,356
You've been busy, Max.

819
01:16:07,439 --> 01:16:09,441
Been readin' about you in the papers.

820
01:16:11,068 --> 01:16:12,986
Have you been
to see Bianca O'Blivion?

821
01:16:13,070 --> 01:16:15,530
- I saw her.
- And she give you any trouble?

822
01:16:15,614 --> 01:16:17,532
No.

823
01:16:17,616 --> 01:16:19,993
Well, that's good.

824
01:16:22,246 --> 01:16:24,831
Maybe you'd like to visit
somebody else now.

825
01:16:24,915 --> 01:16:27,751
- Is that why you're here?
- Maybe.

826
01:16:30,462 --> 01:16:32,464
You've been very useful to us, Max.

827
01:16:32,547 --> 01:16:35,050
We'd like to keep using you
until you're all gone.

828
01:16:38,887 --> 01:16:40,806
Open up to me.

829
01:16:51,024 --> 01:16:53,360
Got something
I wanna play for you.

830
01:17:37,696 --> 01:17:40,115
See ya in Pittsburgh.

831
01:17:50,125 --> 01:17:54,046
<i>Mommy, look at the big ka-boom!</i>

832
01:17:54,129 --> 01:17:56,048
Tracey, come back here!

833
01:17:56,131 --> 01:17:58,467
- Stay with Mommy.
- I want — I wanna see it.

834
01:17:58,550 --> 01:18:00,469
You come with me.

835
01:18:00,552 --> 01:18:02,679
Come on.
We're going home now.

836
01:19:32,811 --> 01:19:35,480
Well, you know me.

837
01:19:35,564 --> 01:19:38,525
<i>- Yeah, we know you.</i>
- And I sure know you.

838
01:19:38,608 --> 01:19:41,820
Every one of you!

839
01:19:45,490 --> 01:19:49,703
We're here to celebrate the arrival
of our spring collection...

840
01:19:49,786 --> 01:19:51,705
<i>the Medici line...</i>

841
01:19:51,788 --> 01:19:56,251
<i>and our theme for this year
is based on two quotes...</i>

842
01:19:56,334 --> 01:20:00,172
<i>from the famous Renaissance
statesman and patron of the arts...</i>

843
01:20:00,255 --> 01:20:02,632
Lorenzo de Medici.

844
01:20:02,716 --> 01:20:04,718
"Love comes in at the eye,"

845
01:20:04,801 --> 01:20:07,137
and "The eye is the window of the soul."

846
01:20:07,220 --> 01:20:10,765
<i>Now, I think that even Pete...</i>

847
01:20:10,849 --> 01:20:16,396
<i>oughta be able to sell the hell
out of a classy campaign like that.</i>

848
01:20:25,530 --> 01:20:28,783
Oh, God!

849
01:20:28,867 --> 01:20:32,120
No!

850
01:20:43,006 --> 01:20:45,967
Death to Videodrome!
Long live the new flesh!

851
01:23:47,941 --> 01:23:50,110
I was hoping you'd be back.

852
01:23:50,193 --> 01:23:52,987
I'm here to guide you, Max.

853
01:23:53,071 --> 01:23:55,990
I've learned a lot
since I last saw you.

854
01:23:56,074 --> 01:23:58,952
I've learned that death is not the end.

855
01:23:59,035 --> 01:24:00,954
I can help you.

856
01:24:02,247 --> 01:24:04,499
I don't know where I am now.

857
01:24:04,582 --> 01:24:07,335
I'm having trouble...

858
01:24:07,419 --> 01:24:09,337
finding my way around.

859
01:24:09,421 --> 01:24:14,509
That's because you've gone just about
as far as you can with the way things are.

860
01:24:14,592 --> 01:24:19,597
Videodrome still exists.
It's very big, very complex.

861
01:24:19,681 --> 01:24:23,101
You've hurt them,
but you haven't destroyed them.

862
01:24:23,184 --> 01:24:25,937
To do that, you have to
go on to the next phase.

863
01:24:27,188 --> 01:24:28,690
What phase is that?

864
01:24:28,773 --> 01:24:32,068
Your body has already
done a lot of changing...

865
01:24:32,152 --> 01:24:34,070
but that's only the beginning —

866
01:24:34,154 --> 01:24:38,199
<i>the beginning of the new flesh.</i>

867
01:24:38,283 --> 01:24:40,660
You have to go all the way now —

868
01:24:40,744 --> 01:24:43,580
a total transformation.

869
01:24:43,663 --> 01:24:45,623
Do you think you're ready?

870
01:24:47,959 --> 01:24:50,754
I guess I am.

871
01:24:50,837 --> 01:24:52,797
How do we do it?

872
01:24:53,840 --> 01:24:57,635
To become the new flesh,
you first have to kill the old flesh.

873
01:24:58,678 --> 01:25:01,055
<i>But don't be afraid.</i>

874
01:25:01,139 --> 01:25:04,392
Don't be afraid
to let your body die.

875
01:25:05,393 --> 01:25:07,353
Just come to me, Max.

876
01:25:07,437 --> 01:25:09,439
Come to Nicki.

877
01:25:10,440 --> 01:25:13,526
Watch. I'll show you how.

878
01:25:13,610 --> 01:25:15,528
It's easy.

879
01:25:43,681 --> 01:25:45,642
Long live the new flesh.

880
01:26:35,733 --> 01:26:38,111
Long live the new flesh.

